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- <text id=92TT1930>
- <title>
- Aug. 31, 1992: From the Publisher
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Aug. 31, 1992 Woody Allen: Cries and Whispers
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- FROM THE PUBLISHER, Page 4
- </hdr><body>
- <p> When senior writer Richard Corliss began reviewing movies
- for TIME in 1980, the bulk of his working hours were spent in
- a clutch of screening rooms in mid-Manhattan. To be sure, he
- paid occasional business visits to Hollywood studios and, each
- year, to the Cannes Film Festival. But the time that mattered
- most to Corliss's work for the magazine was largely spent in
- the dark.
- </p>
- <p> In the succeeding years, though, the line between popular
- entertainment--personified by and in the movies--and
- everyday life began to blur, and the cross-cultural loops grew
- ever more intricate and confusing. Fortunately, his polymathic
- interests and peripatetic instincts made him an ideal explorer
- of this new electronic landscape.
- </p>
- <p> A passionate baseball fan--and devotee of the Oakland
- A's--Corliss has for years carefully observed the
- transformation of a sport into a commercial marketing
- juggernaut; one result of this absorption was his story in last
- week's TIME on the practice of municipalities' building
- ballparks to attract restless team owners. He has also written
- on a dizzying array of other entertainment-related topics,
- including theme parks (in both the U.S. and Europe), pop music
- (from Whitney Houston to Waylon Jennings) and the new rawness
- in films, rock and books (a cover story on "Dirty Words").
- </p>
- <p> But Corliss has not abandoned films, as his regular
- reviews and his cover stories on Kevin Costner, Tom Cruise and
- Jodie Foster attest. "I still love writing about movies. But
- there's no disputing that nowadays everything from a
- presidential campaign to a heavyweight fighter's rape trial is
- show business--infotainment. That's my beat too."
- </p>
- <p> So when the ugly headlines about Woody Allen and Mia
- Farrow exploded last week, Corliss was ready to interpret this
- example of life imitating art imitating life. "As a professional
- voyeur, I prefer to think of movie people as glamorous fictions
- up on the screen--the way the Mia Farrow character did in
- Woody Allen's The Purple Rose of Cairo. But frequently now,
- these characters step out of the klieg lights and onto our front
- page. They become smaller, more vulnerable, contemptible or
- pitiable. And so, perhaps, do we who watch them."
- </p>
- <p> As Corliss's original subject has expanded, so has his
- work load, a development he welcomes: "I like it best around
- here when they keep me busy. If I'm not in the magazine each
- week, I get to feeling logy and unloved." Given the current
- cultural hyperactivity and crossbreeding, he is not likely to
- feel either anytime soon.
- </p>
- <p>-- Elizabeth P. Valk
- </p>
-
- </body></article>
- </text>
-
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